2012. This work was created as an extension of an earlier project: A Case Study of Transference. (14 ½ x 27 ¼ in.) Xu Bing Chinese. Find all the books, read about the author, and more. When the audience goes into the gallery, it is as if he or she enters a study space. Xu Bing's international presence, combined with his delicate artistic commentary of social, cultural and political issues, make him one of China's best-known artists today. They express a certain nostalgia for his time in the countryside when he was working in the arts community there, for the pure and simple village life. “Tobacco Project” is an extended project that collects and organizes materials related to tobacco that cannot be easily defined as art or sociology. After years of preparation, he created Square Word Calligraphy, which he often calls New English Calligraphy as he transforms English words nearly beyond recognition in the style of Chinese characters. Eventually an image of a landscape emerges, reminiscent of East Asian painting. For Square Word Calligraphy, Xu Bing designs a calligraphic system in which English words come to resemble Chinese characters. When reading Square Word Calligraphy, such feeling is joyfully resolved with the sudden revelation that the work does contain “real” text. The intention of this installation is to simulate a classroom-like setting modeled on adult literacy classes, in a gallery or museum space. Materials: Performance media installation with live animal / Live Pig, books, mannequin, wood blocks, ink. Paper Cover: titled "Square Word" in the artist's unique Square Word Calligraphy script, upper right; printed book in black ink: titled "An Introduction to Square Word Calligraphy By Xu Bing… (9 ¼ x 26 ¼ in.) It is the artist's belief that people must have their routine thinking attacked in this way. I would even say he was one of the people who inspired me to face the four-year battle of writing a Ph.D. 23 Professional Xu Bing Fonts to Download Please note: If you want to create professional printout, you should consider a commercial font. After developing this lettering system, Xu Bing created a new installation piece modeled on adult literacy classes within the exhibition space. "In his more recent work, «Square Word Calligraphy», Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. So I took up the project again. Join MutualArt to unlock sale information JOIN MUTUALART. Thereby into the Western cultural sphere was written a brand new, Eastern art form. It was rather the audience members who found themselves in an embarrassing and awkward position. He worked for years on an ambitious project to create a new writing system, a hybrid Chinese/English script called ‘New English Calligraphy’ or ‘Square Word Calligraphy’, restructuring the Latin alphabet to simulate the radicals by which a Chinese character is indexed and interpreted. A code of calligraphic script elements maps to the 26 Roman letters and a relatively simple set of rules for the composition of square words allow one to write English using Chinese calligraphic principles. To the artist, the process of caring for and working with the pigs constitutes ''a kind of ongoing sociological experiment, touching on myriad issues. Materials: Woodblock print mounted as a handscroll, ink on paper, "I created this work upon an invitation from Museum of Fine Arts, Boston. Through the medium of widescreen animation, The Character of Characters describes the source of the unique character of Chinese people. Through The Mustard Seed Garden Landscape Scroll, I attempt to investigate and reveal the relation between the Chinese way of thinking and the semiotic and schematized nature of Chinese culture.". Due to the universality of its visual language, it could be published anywhere without translation. This progression, from nothing to something to nothing again, anticipates the artist’s desire, stated later in his career, to “make something useless”—to push the medium of woodcutting, and the “usefulness” of figurative arts, into new territory. In this fashion, Xu Bing selected passages from four significant faith-based texts (one Buddhist, one Gnostic, one Jewish, and one passage from Marx, all in English translation), which he then transcribed as Square Word Calligraphy, and then synthesized into one text. (124 × 227 cm). 1955) Square Word: New English Calligraphy signed 'Xu Bing' (on the cover of each book) installation: two books containing Calligraphy on Chinese paper, cover, brush, brushstand and inkwell dimensions variable Provenance. The work won the inaugural Artes Mundi Prize, the Wales International Visual Art Prize in 2004 and was later shown at various venues across the world. Materials: Performance, mixed media installation / Live parrot. Bing was inspired by the concept to create artwork using distinctive calligraphy based on his original concept of “Square Word Calligraphy”. The artist first compiled symbols drawn from the public sphere and wrote a book using only these signs. Special Notice. As a next step, Xu altered the critical text by substituting the real names and art works with false names and illustrations of the found paintings. An example of Xu Bing's 'Square Word' calligraphy, combining Latin characters into forms that resemble Chinese characters. As per the artist, it is "not merely a communicative tool but, also an activity that combines both artistic expression and spiritual energy." Xu's invented script aims to challenge our ingrained ways of comprehending both Chinese and English, demystifying complex Chinese characters to non-readers of Chinese so that meaning is magically created in translation. This is a monograph introducing the Square Word Calligraphy, a form of writing developed by the artist and intended to fuse written English with written Chinese. For his graduation exhibition, he showed Five Series of Repetitions as well as his “Stone Series” of copperplate prints. The image thus transitions from a formless solid block of black, and through a complicated process arrives at formless solid block of white, a gesture with a strong Zen Buddhist implication. As personal computer and the internet become increasingly integrated into daily life, the lexicon of digital icons grows accordingly, and the symbolic language of Book from the Ground has been further updated, augmented, and complicated. Tobacco Project 3. Square Word Calligraphy Classroom . In Square Word Calligraphy, Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. Titled Xu Bing: Writing Between Heaven and Earth, ... Like Book from the Sky, Square Word Calligraphy and Book from the Ground, Phoenix is not what it seems at first glance. Xu emblazoned his eye-catching red-and-yellow banner, measuring 36ft x 9ft, with the slogan ''ART FOR THE PEOPLE: Chairman Mao said'' inscribed in his own invented system of ''New English Calligraphy'' -- English words deconstructed but then re-configured into forms that mimic the square structure of Chinese characters. The Foolish Old Man Who Tried to Remove ... Square  Word  Calligraphy:  Three  Indonesian  Proverbs, Square  Word  Calligraphy:  El  bon  poble, An  introduction  to  Square  Word  Calligraphy. Solo. When it comes to calligraphy puzzles, few have Xu Bing’s creativity beat. While undergoing this process of estrangement and re-familiarization with one's written language, the audience is reminded that the sensation of distance between other systems of language and one's own is largely self-induced. above mid-estimate. Indistint forms of plants and stones can be discerned through frosted glass. From 1994 he began writing Chinese characters which were nonsensical to Chinese people but understandable to English speakers because they were one-block words made of English letters bent to the shape of hanzi. He also added a textbook, an instructional video, and a practice sheet just like those used in classroom settings. This fanciful yet instructive tale reminds us that what we strive to achieve may in fact be an illusion. From Eslite Gallery, Xu Bing 徐冰, Square Word Calligraphy: An Ascent (a poem by DU Fu) (2012), Ink on Paper, 138 × 68 cm Direction of writing words: left to right in horizontal or vertical lines. The entire mark-making process is then transferred onto a ten-meter-long stretch of bark paper. The meticulous, exhaustive production process and the work’s format, arrayed like ancient Chinese classics, were such that audiences could not believe that these exquisite texts were completely illegible. Like a linguistic breeder, the artist combines Chinese calligraphy with English writing to create a new “species.” However, it is different from the nonsense characters in Book From the Sky, which give the viewer a feeling of hesitation, suspicion, and confusion. This is the way things have been done over thousands of years in the Chinese history, so this must have had some influence on the formation of the character of Chinese people. The bird/niao characters then break away from the confines of the literal definition and take flight through the installation space. An example of Xu Bing's 'Square Word' calligraphy, combining Latin characters into forms that resemble Chinese characters. The project began in 1999 in Durham, home of the Duke family; passed through Shanghai in 2004; and in 2011 extended once more to Virginia — locations closely intertwined with tobacco. Square Word Calligraphy. See search results for this author. In 1999, Xu was awarded a MacArthur Foundation grant for his "originality, creativity, self-direction, and capacity to contribute importantly to … Square Word Calligraphy is a new kind of writing, almost a code, designed by Xu Bing. Xu Bing is interested in reflecting on the problems and weaknesses of humanity by exploring the long and entangled relationship between humans and tobacco. For Square Word Calligraphy, Xu Bing designs a calligraphic system in which English words come to resemble Chinese characters. The plainness, simplicity, and naivete of these works, made just after the end of the Cultural Revolution, are a stark contrast to the false, grandiose, empty forms of that era. The intention was both to observe the reaction of the pig towards the mannequin and to produce an absurd and random drama -- an intention that was realized when the pig reacted to the mannequin in an aggressively sexual manner. A code of calligraphic script elements maps to the 26 Roman letters and a relatively simple set of rules for the composition of square words allow one to write English using Chinese calligraphic principles. '', Medium: media/found oil paintings, falsified magazine article. As a piece of conceptual art, Xu Bing … Book From the Ground: From Point to Point can be purchased from various bookstores and websites. There is a passageway between the showcases, allowing a view behind the scenes. At first glance it appears to be Chinese Characters, but in fact it is a new way of rendering in English. Like a linguistic breeder, the artist combines Chinese calligraphy with English writing to create a new “species.” However, it is different from the nonsense characters in Book From the Sky, which give the viewer a feeling of hesitation, suspicion, and confusion. Square Word Calligraphy (from 1994 onwards) Bing continued to work with the written word after his move to the USA in 1990. This animation seeks to reveal the relation between Chinese writing and cultural characteristics, the core and energy of Chinese culture, and its advantages and disadvantages for people to continue to build new modes of human civilization. Many early viewers pored over the artwork, obsessively looking for real characters. In Square Word Calligraphy, Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. Xu Bing (Chinese, born 1955). Using traditional ink work … For this performance art work Xu Bing trained a parrot to communicate certain sentiments to gallery audiences. Its feasibility is based on the following principles: firstly, utilize free online services such as auction and sales hosting, money transfers, and even online teaching to achieve the lowest possible costs; secondly, benefit everyone involved in the project; thirdly, utilize regional economic discrepancies ($2.50 is a subway ride in New York, but it can plant ten trees in Kenya). Like a linguistic breeder, the artist combines Chinese calligraphy with English writing to create a new “species.” However, it is different from the nonsense characters in Book From the Sky, which give the viewer a feeling of hesitation, … In a nutshell "In his more recent work, «Square Word Calligraphy», Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. I’ve wanted to make a film from surveillance footage since 2013, but I had no access to the necessary resources. (14 ½ x 27 ¼ in.) This work was created as an extension of an earlier project: A Case Study of Transference. In Square Word Calligraphy, Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. The letters of an English word are slightly altered and arranged in a square word format so that the word takes on the ostensible form of a Chinese character, yet remains legible to the English reader. Xu Bing is the recipient of numerous prestigious awards for his … As they rise into the air, the characters “de-evolve” from the simplified system to standardized Chinese text and finally to the ancient Chinese pictograph hasde upon a bird’s actual appearance. The present lot is a more advanced example of Square Word Calligraphy featuring the word "Irresistible." A code of calligraphic script elements maps to the 26 Roman letters and a relatively simple set of rules for the composition of square words allow one to write English using Chinese calligraphic principles. This was the last major artwork that the artist started before moving to the United States in 1990, where it was exhibited for the first time. Although Xu Bing’s Square Word Calligraphy is arguably one of the most sophisticated instances of the use of two distinct scripts in one text, it is certainly not a unique example of contemporary heterography (Blommaert, 2008) or digraphia (e.g. In Square Word Calligraphy, Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. Are you an author? Just before the event took place there was some concern that, once confronted with the unfamiliar cultural environment of the exhibition hall, the pigs would become too nervous to perform the crucial act. The artwork is a form of “square word calligraphy”—and what is that, you might well ask? The overall work spells out the first section of “Crossing Brooklyn Ferry,” reflecting Xu Bing’s experience living between two cultures while in … (41.3 x 27.3 cm) each. Every summer since 1994, Xu Bing has undertaken a project in the United States involving the raising of live silkworms. China has long had a tradition that “calligraphy and painting have the same origins.” Xu Bing’s Landscript, landscape-in-script, transformed the visual images of landscapes to linguistic forms, inviting the viewer to reassess the particularity of Chinese culture hidden in landscape paintings and providing a unique way to “read a scene.”, Location: Museum of Modern Art, New York, 1999; Victoria and Albert Musum, London, 2001. "It is a language invented by Xu Bing which consists in rewriting the Latin alphabet, giving it the appearance of traditional Chinese characters. Vendu 1,375,000 HKD (Prix d’adjudication avec commission acheteur) ACCÉDER … It is only when we try to find out what is beneath the surface that we can discover the background, and everything becomes intertwined in the image. Behind the walls of the exhibition space there is a maintenance space, with heating pipes and empty shelving. Although the rectangular units of writing resemble Chinese characters, each one is actually a word in English. Are you an author? What Do You See? The entire process was documented and the resulting photographs were exhibited several years after the event, in 1998. The boar was covered in English words written out in Xu’s “square word calligraphy” and the sow in his fake Chinese words. Happiness measures 36.9 x 69.2 cm. As Xu Bing has noted, the false characters “seem to upset intellectuals,” inspiring doubt in received systems of knowledge. The Aldrich Museum of Contemporary Art Ridgefield CT . Like a linguistic breeder, the artist combines Chinese calligraphy with English writing to create a new “species.” However, it is different from the nonsense characters in Book From the Sky, which give the viewer a feeling of hesitation, … The artwork on the album cover that resembles a Chinese character is the word Squackett written using Square Word Calligraphy, written by artist Xu Bing. In this installation Xu Bing uses dust that he collected from the streets of lower-Manhattan in the aftermath of September 11th. XU BING (B. The absolute directness of this undertaking produces a result that is both unthinkable and worth thinking about. Square Word Calligraphy (Classroom Book) 2001 Two printed books: black ink on paper and red ink on paper, each contained within a paper cover. Mar 7, 2017 - New York. Bing, an artist, sculptor, and printmaker, has released a new book titled Look! Everyone in China who has received basic education must, over the course of years, commit to memorize and then write and re-write thousands of characters, each character a drawing. The Foolish Old Man Who Tried to Remove ... Book  from  the  Ground  -  Studio  Installation, Background  Story:  Landscape  After  Huang  Gongwang, Background  Story:  Returning  Late  from  a  Spring  Outing, Background  Story:  Dwelling  in  the  Peach  Blossom  Valley, Background  Story:  Spring  Clouds  and  Layered  Peaks, Background  Story  -  Old  Trees,  Level  Distance, Background  Story:  Landscape  Painted  on  the  Double  Ninth  Festival, Background  Story:  Blue  and  Green  Landscape, Background  Story:  Landscape  after  Wu  Zhen, Background  Story:  Shangfang  Temple  Scroll, Square  Word  Calligraphy:  Three  Indonesian  Proverbs, Square  Word  Calligraphy:  El  bon  poble, An  introduction  to  Square  Word  Calligraphy, Landscripts  from  the  Himalayan  Journal, American  Silkworm  Series  4:  Silkworm  VCR, American  Silkworm  Series  3:  The  Opening, American  Silkworm  Series  1:  Silkworm  Books, A  Case  Study  of  Transference:  Times  Overlap. Xu Bing’s “square word calligraphy”, at the Ullens Center for Contemporary Art (UCCA), in Beijing. He then hired a professional translator to translate the altered text into Chinese, making it even more incomprehensible, and subsequently published the falsified, translated article in a prestigious art magazine in China under the pseudonym of Jason Jones. Tobacco is an object that permeates—it pervades all spaces, ends in ashes, and has many different connections with individuals and the world more broadly—in economics, culture, law, morality, faith, fashion, living space, personal interest, and more. For the Book fom the Ground installation, Xu Bing recreated his studio's working environment and brought some materials to the exhibition space, implying that this is a never-ending project in progress. Square Word Calligraphy: Crossing Brooklyn Ferry, Walt Whitman, 2018.Ink on paper, a (mounted): 48 13/16 × 89 3/8 in. The word is ' wiki '. On this street, the artist salvaged a group of non-representational oil paintings from the garbage, providing the catalyst for this conceptual piece. This four-volume treatise, produced over four years, was made with thousands of meaningless characters that look like Chinese, each designed by the artist in a Song-style font that was standardized by artisans in the Ming dynasty. XU BING (B. I would even say he was one of the people who inspired me to face the four-year battle of writing a Ph.D. Materials: Performance media installation with live animal / Live Pig, books, mannequin, wood blocks, ink. It means that paradoxically we Westerners can understand the language whereas the Chinese can’t!" For Square Word Calligraphy, Xu Bing designs a calligraphic system in which English words come to resemble Chinese characters. Each link in the chain is a word for “monkey” in a different language (21 languages in total), including Hindi, Japanese, French, Spanish, Hebrew and English. It thus serves as an intermediary form of communication and exchange between the two languages. Materials: Mixed media: Stones, Clay, Mist, Light effect, Sounds of bird and insects, LCD screen, Location: Victoria and Albert Museum, London, UK, Materials: seventeen-minute animated film. After years of preparation, he created Square Word Calligraphy, which he often calls New English Calligraphy as he transforms English words nearly beyond recognition in the style of Chinese characters. Users can enter words either in English or in Chinese, and the program will translate them into Xu Bing's lexicon of signs. What ultimately was exposed was not any sense of discomfort or displacement on the part of the pigs, but the limitations and the inability to adapt of the human audience. I collected a huge amount of footage and tried to use these fragments of reality to tell a story. Each then takes on the form of an ideogram and symbolises a thought within a word. Chinese readers are frustrated because it seems like they should be able to read the letters and words, but can't. The work simultaneously invites and denies the viewer’s desire to read the work. Xu's intention was to demonstrate his feeling that the critic's opaque interpretation of Lasker's works could just as well be applied to the salvaged works. He calls his invention “Square Word Calligraphy.” (Not a fan of fancy cursive? Xu Bing (Chinese, born 1955). In Square Word Calligraphy, then, Xu concocted a method of making English words appear to be Chinese characters, leading Western viewers to discover with surprise that they were able to read text that at first looked entirely foreign. This animation is conceived as a study and imagination of a calligraphy masterpiece by Zhao Mengfu (1254-1322) in the collection of Yahoo’s founder, Mr. Zhiyuan Yang. square word calligraphy: dylan thomas, do not go gentle into that good night At first glance it appears to be Chinese characters, but in fact it is a new way of rendering English. Chinese people’s worldviews and concepts of freedom; the consequences of Chinese people’s flexibility, collectivism, face-saving mentality, moral stance that demands focus on communal interests, and worship of symbols and big names; the ability of Chinese culture to digest other cultures, and the Chinese culture of copying (“shanzhai”). September 7–October 22, 2011 In Square Word Calligraphy, Xu Bing has devised a method of writing English words in rectangular arrangements which resemble Chinese characters. MIRIAM and IRA D. Wallach Art Gallery … Fusing written English and Chinese, square words arrange the slightly altered letters of an English word into a shape resembling a Chinese character, yet they remain legible to the … The letters of an English word are slightly altered and arranged in a square word format so that the word takes on the ostensible form of a Chinese character, yet remains legible to the English reader. No VAT will be charged on the hammer price, but VAT at 15% will be added to the … 31(L) x 6(W) m; Side part approx. Although the rectangular units of writing resemble Chinese characters, each one is actually a word in English. In the work, Xu Bing references the fine whitish-grey film that covered downtown New York in the weeks following 9-11, and recreates a field of dust across the gallery floor that is punctuated by the outline of a Zen Buddhist poem, revealed as if the letters have been removed from under the layer: In the work Xu Bing discusses the relationship between the material world and the spiritual world, exploring the complicated circumstances created by different world perspectives. The work transforms the Great Wall into a paper edition of itself by shedding its history and context, hinting at ironies of isolationism, migration, and various cultural legacies. I believe that a core characteristic of Chinese painting is its schematized nature, which is reflected in classic literature, theatrical expression, and various methods of social production. But in fact the result was just the opposite: the pigs themselves were completely unfazed, and blithely ignoring their human onlookers pursued their lovemaking with great gusto. I am captured by his Square Word Calligraphy, his Book from the Ground, his Phoenix and of course his jaw-dropping Book from the Sky. In response to his own Book from the Sky, a work dated 30 years earlier whose language is illegible to anyone, Book from the Ground is legible to all. By cutting, reorganizing, and printing motifs from the Mustard Seed Garden Manual of Painting (1679), I created a handscroll version of the classic manual. In watching the behavior of the two pigs, we are led to reflect on human behavior.'' An introduction to square word calligraphy Unknown Binding – January 1, 1994 by Bing Xu (Author) › Visit Amazon's Bing Xu Page. In 1977, Xu Bing passed his entrance exams to enroll in the Printmaking Department of the Central Academy of Fine Arts. In honor of Marie-Helene and Guy Weill for … The book is written in a way that any reader, regardless of his or her cultural or educational background, can understand. With no human agency operating them, surveillance cameras produce fascinating footage round the clock. After developing this lettering system, Xu Bing created a new installation piece modeled on adult literacy classes within the exhibition space. Xu Bing’s studio also made a character database software that corresponds to the language of the book. Here is an extract about the writing taken from Xu Bing's official website: 'English letters are arranged in square word format to appear like Chinese characters, yet remain legible to the English speaker. Solo. Xu Bing: Square Word Calligraphy Classroom - video dailymotion The Metropolitan Museum of Art. 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